Cinematography Breakdown | Filming a Porsche Commercial

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In this behind-the-scenes cinematography breakdown, join me as I take a look at the making of a captivating Porsche commercial. If you've seen the commercial already, I highly recommend pausing this video and watching it here: https://youtu.be/SG2DMOkoINw

This project was an awesome collaboration with Aaron Romo, the director and DP of the commercial. Together, we'll dive into the details and give you a little insight into what happened behind the scenes.

Executive Producer - @mondobytes
Producers - @Aaron_roams / @mondobytes
Director / Dp - @Aaron_roams
1st AC (Day 1) - @lukejamison_
1st AC (Day 2&3) -@skylar_tarkington
Gaffer (Day 1) - @eezyfilms
Grip (Day 1) - @theseanboyd
Gaffer (Day 2) - @iamtamlam
Grip (Day 2) - @johnxpham
Car Rig / Gimbal Op - @_virtuemedia
1st AD - @_celestebluee
Art Director - @jejenanken
Prop Assit - @bleujimi
PA - @eemmy.rosee
Sound - @jackhisatomi
Editor - @Aaron_roams / @mondobytes
Color - @mondobytes
Sfx - @keithwhiteaudio
HMU - @michellecuevasmua
Therese - @fryingsolo
Young Therese - @kylo.penn
Therese Dad - @abiuromo
Car Coordinator - @thatporschegirl
BTS (photo) - @jerichopatrick
BTS (photo) - @lisamsandoval
BTS (Video) - @directedbyevan
Set Photographer - @jewishsoundingname
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Tech Specs
Cameras - RED Raptor 8kVV , RED Komodo X
Lenses - Atlas Mercurys (36, 42, 72mm)

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#cinematography #porsche #filming

CHAPTERS:
00:00 - Introduction and overview of the Porsche commercial project
00:55 - Discussing the stability of the DJI RS3 Pro gimbal and the use of the Red Raptor and Komodo X cameras
01:28 - Lighting setup in the garage location and the use of diffusion and negative fill
02:23 - Highlighting a favorite shot involving a goal post setup and the use of a 1200D light
04:35 - Discussing the significance of showcasing the old and new cars in the commercial
06:19 - Appreciating the expression and energy captured in a particular shot
07:14 - Discussing the framing and composition of shots, including a happy mistake with lighting
08:03 - Acknowledging the use of Atlas Lenses and their contribution to the film's aesthetics
09:00 - Camera setup and the use of a hostess tray for car shots
10:18 - Reframing and post-production techniques used to enhance the footage
11:42 - Appreciating the interior shot of the car and the use of anamorphic lenses
12:41 - Discussing the setup and challenges of using the DJI Inspire drone for aerial shots
14:03 - Highlighting a shot featuring the protagonist's father and the sound design in the scene
16:54 - Discussing the use of a Tesla Model Y car and its advantages for the shoot
18:40 - Thanking Laura for her contribution to the project and the attention to detail in the car selection
19:23 - Closing remarks, thanking the team and inviting questions from viewers