In-Ear Stage Monitors: 5 Fast Facts

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Fact #1. Whether or not they can hear themselves is something that performers have struggled with since the earliest days of electrified music. It takes a pretty big set of speakers to pump out enough sound to fill that historic downtown theater packed with 2,000 fans or more. And, let's be honest, some sound systems and their engineers are of better quality than others.
Fact #2. So how do you channel the clearest monitor of your playing straight to your ears, without worrying about levels, feedback, buzzing, or cables? How can you put your whole group's contributions in your own head as you play for the crowd? Simple: you trap a receiver to your body, hang a speaker in your ear, and get ready to play in circles around the stage.
Fact #3. An in-ear monitoring system consists of three parts: the transmitter, the receiver, and the earphone itself. As with many wireless systems, the transmitters do have limitations. Interference from on-stage equipment, bandwidth interference from close frequencies, and the raw distance from the transmitting unit can all negatively affect the signal. Over the last decade, though, technologies like beamforming and audio compression have made wireless more effective and affordable than ever.
Fact #4. Don't be fooled by a bunch of products that might just look like expensive earbuds. These units are designed specifically to provide a faithful reproduction of the analog data they're fed. They're made with comfort and sonic accuracy foremost in mind. Many have different sizes of silicone tips, as well.
Fact #5. Lightweight and active noise cancellation are two features found on most in-ear options. Above all, good monitor earpieces are made with the quality materials and craftsmanship that let you jam out on-stage for hours at a time. This can all be done while hearing yourself with crystal-clear precision.